CURATORSHIP

A writer, curator, and professor at the Universidad de Buenos Aires, where she received her Ph.D. She is a researcher at the CONICET, Argentina, and a visiting scholar at the University of Texas at Austin. She is the author of several books on Latin American art, including Avant-garde, Internationalism and Politics: Argentine Art in the Sixties (Durham: Duke University Press, 2007). In 2018, she published Feminismo y arte latinoamericano: Historias de artistas que emanciparon el cuerpo (Buenos Aires: Siglo XXI, 2018, and forthcoming in translation by the University of California Press). She was a co-curator of Radical Women: Latin American Art, 1960–1985 (2017–2018, Hammer Museum, Los Angeles, Brooklyn Museum, New York, and the Pinacoteca de São Paulo).

(Poland/USA) holds a Ph.D from the University of Texas at Austin. She is currently a visiting assistant professor of art history at the University of Houston. Her research, writing, and curatorial projects focus on contemporary Latin American art seen in the global context, particularly at the intersections of material experimentation, social practice, and politics. She has published articles and essays in academic journals such as Caiana, Buildings & Landscapes, Art Journal, ARARA, and alter/nativas, and in exhibition catalogs. She curated Moving Mountains: Extractive Landscapes of Peru at the UT’s Visual Arts Center (2016) and co-curated Teresa Burga’s Chronology: Reports, Diagrams, Intervals (2011, Württembergischer Kunstverein Stuttgart), among other projects.

A New York- and São Paulo-based independent curator, writer, and Ph.D. candidate in Performance Studies at New York University, where she is a Corrigan Doctoral Fellow. Her research centers on the contemporary production of artists of the African diaspora in Brazil and the Americas in general. Her writings have appeared in Harper’s Bazaar Art, O Menelick 2o Ato, ARTE!Brasileiros, Contemporary And (C&), and in exhibition catalogs such as Rosana Paulino: The Sewing of Memory, Pinacoteca, São Paulo (2018), Lucia Laguna: Neighborhood, MASP, São Paulo (2018), Of Darkness and Of Light, Minnette Vári, Johannesburg (2016), Territories: Artists of African Descent at Pinacoteca’s Collection, Pinacoteca, São Paulo (2015).

A PhD in Visual Arts - Art History, Theory and Criticism from the PPGAV (Graduate Program in Visual Arts) at UFRGS. Assistant professor in the Art History, Theory and Criticism and Art Teaching Methodology and Practice course at UERGS. Member of the curating committee of the National Association of Plastic Art Researchers-ANPAP, and member of the UERGS-MARHS Education Hub. Member of the collection committee at the Rio Grande do Sul Museum of Art-MARGS. He works with articulations between exhibitions, film editing/montage, art history, and the racialization of Brazilian art and the visibility of black individuals in the visual arts world. Author of thesis Film Montage and exhibitions: Black Voices in the White Cube of Brazilian Art. Member of Flume - Education and Visual Arts Research Group.