Ad Minoliti creates worlds where geometry becomes an insurgent language, traversing painting, design, science fiction, and queer theories. The artist reclaims geometric abstraction as a tool for political imagination, dissolving boundaries between human and non-human, organic and technological. The Ad's installations—vibrant, modular, and sensorial—create environments for play, affection, encounters, and transgression, as seen in Hongos de fantasías geométricas, commissioned for the 14th Mercosul Biennial.
Expanding the field of painting, the work transforms the exhibition space into a pedagogical laboratory where color and form act as vectors of emancipation and desire. Minoliti develops an iconography that deconstructs pictorial traditions, sketching out possible futures where aesthetics blend with dreams, and politics merges with invention.
Daniele Alana
Ad Minoliti (Argentina, 1980) creates experimental installations based on geometry and abstraction that encompass art history, architecture, queer feminism, animalism, and speculative fiction. Their work has been exhibited in galleries, institutions, and museums in Korea, Peru, Mexico, Japan, Brazil, China, Bolivia, and Chile, among other countries. They have recently held exhibitions at BALTIC, Tate St Ives, and La Casa Encendida (Spain). They participated in several exhibitions, such as the 58th Venice Biennale. They live in Buenos Aires, Argentina.
